Coordinate production music with music directors.

“Coordinate production music with music directors.” is a core task performed by Choreographers. Among the occupation's 18 rated tasks, workers place it 9th by importance (#10 most important). About 95% of workers say it is relevant to their job.

This is a single occupation-specific task statement from O*NET. The figures below describe how central the task is to the job and what independent studies measure about AI and this kind of work — not a prediction that the task will be automated.

Work activities this task rolls up to

O*NET groups concrete tasks into broader work activities shared across many occupations.

• Coordinate artistic or entertainment activities. in Coordinating the Work and Activities of Others

AI exposure

The OpenAI / Eloundou “GPTs are GPTs” study rates this task E2. Exposure with tools — software built on top of a language model (not the model alone) could cut the time by at least half.

Exposure measures whether a model could meaningfully speed the task up — it is an estimate of overlap with model capabilities, not a measure of whether the work will be done by software. The study's intermediate score (β) for this task is 0.50. Automation potential label: T1.

Other tasks in this occupation

• Direct rehearsals to instruct dancers in dance steps and in techniques to achieve desired effects. · importance 4.7
• Advise dancers on standing and moving properly, teaching correct dance techniques to help prevent injuries. · importance 4.6
• Teach students, dancers, and other performers about rhythm and interpretive movement. · importance 4.3
• Direct and stage dance presentations for various forms of entertainment. · importance 4.3
• Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography. · importance 4.3
• Choose the music, sound effects, or spoken narrative to accompany a dance. · importance 4.0
• Experiment with different types of dancers, steps, dances, and placements, testing ideas informally to get feedback from dancers. · importance 4.0
• Seek influences from other art forms, such as theatre, the visual arts, and architecture. · importance 4.0
• Develop ideas for creating dances, keeping notes and sketches to record influences. · importance 3.9
• Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions, and special events, and for dancers ranging from beginners to professionals. · importance 3.8
• Audition performers for one or more dance parts. · importance 3.8
• Assess students' dancing abilities to determine where improvement or change is needed. · importance 3.7
• Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members. · importance 3.6
• Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness. · importance 3.6

See all tasks on the Choreographers page.

Sources for this page

Every figure above traces to a named public dataset and the exact release below — not hand-written opinion. See the full methodology for what each measure does and does not mean.

• O*NET 30.3 U.S. Department of Labor / National Center for O*NET Development
• “GPTs are GPTs” (Eloundou et al.) arXiv 2303.10130 OpenAI / academic

Data compiled June 2, 2026. Figures are estimates, not advice.

@misc{singulariki-task-11033,
  title  = {Coordinate production music with music directors.},
  author = {{Singulariki}},
  year   = {2026},
  note   = {O*NET 30.3; “GPTs are GPTs” (Eloundou et al.) arXiv 2303.10130. Accessed June 7, 2026},
  url    = {https://singulariki.com/tasks/task-11033}
}