Occupation · SOC 27-2032.00
Create new dance routines. Rehearse performance of routines. May direct and stage presentations.
Also called: Choreographer · Dance Director · Dance Maker · Opera Choreographer · Ballet Director · Musical Choreographer · Choreography Director · Dance Choreographer · Dance Instructor · Dance Master · Dancing Master · Teaching Choreographer
Job family: Arts, Design, Entertainment, Sports, and Media Occupations
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/roles/role-27-2032-00/context.md directly.
A fast read on where AI already shows up in this occupation, where it stays a copilot, where humans remain in the loop, and what the labor market is doing. Built from observed Claude.ai conversations mapped to O*NET tasks and from published research — measures of usage and exposure, not advice or predictions that the job is going away.
Task areas where people work with AI — iterating, learning, or checking — staying in the loop rather than handing the task off.
Task areas where a human was still judged necessary in a large share of observed conversations — not a safety ruling, an observed-need signal.
The capabilities O*NET rates most important for this occupation — the human ground the work is built on.
See all skills →Independent published positions, read together — not a forecast.
32nd-percentile task overlap — yet about 700 openings a year (+6.1% projected, BLS), and observed AI use leans 5452% copilot, not hand-off (AEI) . What exposure means →
What today's research says about this occupation's exposure to AI, how AI is actually being used in it, and where employment is headed. These are positions within published studies — measures of exposure and usage, not predictions that this job will disappear.
Each study uses its own scale, so the raw scores are not comparable across rows — the percentile (this job's rank among all U.S. occupations with data) is the comparable figure, and sizes the bars.
| Measure | Rank vs all occupations | Percentile | Score |
|---|---|---|---|
| Overall AI exposure (Felten et al.) Low | 5th | -1.6 | |
| LLM task exposure, γ (OpenAI / Eloundou) Moderate | 43rd | 0.5 | |
| AI assistant applicability (Microsoft) Moderate | 53rd | 0.2 |
OpenAI's exposure study scores tasks three ways: with a language model alone (α 0.1), with simple added tooling (β 0.3), and including AI-powered software (γ 0.5). Higher means more of the job's tasks could be done at least twice as fast — not that they will be automated away.
This job mostly cannot be done remotely (Dingel–Neiman) — its hands-on tasks sit outside what software-based AI reaches.
A pre-LLM (2013) estimate of how automatable this job is by computerization and robotics. Shown for historical context only — it is not part of any current AI ranking.
Frey–Osborne probability 0.0 · 2nd percentile among occupations · Low
Among measured AI assistant conversations mapped to this occupation (Anthropic Economic Index, 2026-01-15), these task types came up most. These are shares of observed AI conversations — not shares of the job, of worker time, or of what could be automated.
| Develop ideas for creating dances, keeping notes and sketches to record influences. | 7.8% | |
| Teach students, dancers, and other performers about rhythm and interpretive movement. | 0.3% | |
| Assess students' dancing abilities to determine where improvement or change is needed. | 0.2% | |
| Read and study story lines and musical scores to determine how to translate ideas and moods into dance movements. | 0.2% |
Independent U.S. Bureau of Labor Statistics employment projection for 2024–2034 — a labor-market forecast, not an AI-impact forecast.
| Outlook | About average · +6.1% by 2034 |
| Projected annual openings | 700 |
| Employment 2024 → 2034 | 4,600 → 4,900 |
“Annual openings” counts new jobs plus replacements for workers who leave the occupation, so it can be large even when growth is modest.
The ILO's 2025 global study scores generative-AI exposure on the international ISCO-08 occupation system, not US SOC. Bridged through the published (and approximate, many-to-many) IBS O*NET-SOC ↔ ISCO-08 crosswalk, this US occupation corresponds to the international occupation below. Exposure here means how much of the work's tasks today's AI can attempt — task overlap, not automation, adoption, or jobs lost.
| International occupation (ISCO-08) | Task exposure (2025) | Most tasks fall in |
|---|---|---|
| Dancers and Choreographers · 2653 | 19% | Not exposed |
Read the whole six-band gradient on the GenAI exposure gradient page. The crosswalk is approximate: a US occupation can map to several international ones, and the ILO scores describe the international occupation, not this exact US role.
How people actually apply AI to this occupation's tasks, from Claude.ai (Free and Pro) conversations in the Anthropic Economic Index, 2026-01-15. This is one AI assistant's consumer sample — not all AI, not the whole workforce. Autonomy and the collaboration mix are model-rated estimates; figures below the sample floor are hidden.
| Augmentation vs. automation | 54.5% working with AI · 40.7% handed to AI |
| Most common way people use AI here | Iteration · you and AI go back and forth |
| Typical AI autonomy | 4.0 / 5 · higher = AI acts more independently |
| Used for work (vs. personal / coursework) | 22.0% |
The role's most common tasks in AI conversations, each tagged with how people work with the AI on it. “Usage” is the share of observed conversations, not of the job.
| Task | How | Usage |
|---|---|---|
| Develop ideas for creating dances, keeping notes and sketches to record influences. | Iteration | 12.9% |
| Teach students, dancers, and other performers about rhythm and interpretive movement. | Learning | 0.4% |
Tasks where the model most often judged that a person remained necessary — a useful read on the current boundary, not a guarantee.
| Teach students, dancers, and other performers about rhythm and interpretive movement. | 97.7% | |
| Develop ideas for creating dances, keeping notes and sketches to record influences. | 94.5% |
Example prompts phrased from the tasks people most often delegate to AI in this occupation (Anthropic Economic Index). Each shows the underlying measured task and its share of observed AI use. They are suggested phrasings of real tasks — starting points, not endorsed instructions.
Help me develop ideas for creating dances, keeping notes and sketches to record influences. From: Develop ideas for creating dances, keeping notes and sketches to record influences. · 12.9% of measured AI use · task iteration
Help me teach students, dancers, and other performers about rhythm and interpretive movement. From: Teach students, dancers, and other performers about rhythm and interpretive movement. · 0.4% of measured AI use · learning
All 18 tasks O*NET lists for this occupation, ordered by importance. Each links to its own page with AI-exposure and observed-use detail.
Newer responsibilities O*NET has flagged as growing for this occupation.
O*NET importance rating, from 1 (not important) to 5 (extremely important).
| Fine Arts | 4.5 | |
| Education and Training | 3.3 | |
| Administration and Management | 3.3 | |
| Production and Processing | 3.3 |
| Gross Body Coordination | 4.1 | |
| Oral Expression | 4.0 | |
| Originality | 4.0 | |
| Gross Body Equilibrium | 4.0 | |
| Oral Comprehension | 3.9 | |
| Fluency of Ideas | 3.9 | |
| Visualization | 3.8 | |
| Dynamic Strength | 3.8 | |
| Trunk Strength | 3.8 | |
| Stamina | 3.8 | |
| Extent Flexibility | 3.8 | |
| Written Comprehension | 3.6 | |
| Problem Sensitivity | 3.6 | |
| Deductive Reasoning | 3.6 | |
| Multilimb Coordination | 3.6 | |
| Speech Clarity | 3.6 | |
| Inductive Reasoning | 3.3 | |
| Information Ordering | 3.3 | |
| Dynamic Flexibility | 3.3 | |
| Speech Recognition | 3.3 | |
| Selective Attention | 3.1 | |
| Near Vision | 3.1 |
| Instructing | 4.0 | |
| Coordination | 3.9 | |
| Social Perceptiveness | 3.6 | |
| Time Management | 3.4 | |
| Service Orientation | 3.3 | |
| Judgment and Decision Making | 3.3 | |
| Management of Personnel Resources | 3.1 |
| Active Listening | 3.9 | |
| Speaking | 3.9 | |
| Monitoring | 3.8 | |
| Learning Strategies | 3.6 | |
| Reading Comprehension | 3.5 | |
| Critical Thinking | 3.4 | |
| Active Learning | 3.3 |
Skills employers ask for in job postings for this occupation (Lightcast), with whether each is a common or specialized skill.
| Example | Category | |
|---|---|---|
| Web page creation and editing software | Hot technology | |
| Microsoft Excel | Spreadsheet software | Hot technology |
| Microsoft Office software | Office suite software | Hot technology |
| Microsoft PowerPoint | Presentation software | Hot technology |
| Microsoft Word | Word processing software | Hot technology |
| Salesforce software | Customer relationship management CRM software | Hot technology |
| Chorel Technology Dance Designer | Graphics or photo imaging software | |
| Credo Interactive DanceForms | Graphics or photo imaging software | |
| Email software | Electronic mail software | |
| Salesforce Visualforce | Graphical user interface development software | |
| Social media sites | Web page creation and editing software | |
| Web browser software | Internet browser software | |
| YouTube | Video creation and editing software |
How characteristic each condition is of the job, on O*NET's 1–5 context scale (higher = more present in day-to-day work). Each condition links to how it varies across all occupations.
What to study: Visual and Performing Arts . Fields of study crosswalked to this occupation (NCES CIP–SOC), not a requirement.
Share of people in this occupation at each level of education.
| High School Diploma | 33.3% | |
| Post-Secondary Certificate | 19.1% | |
| Bachelor's Degree | 19.1% | |
| Less than a High School Diploma | 9.5% | |
| Associate's Degree (or other 2-year degree) | 9.5% | |
| Some College Courses | 4.8% | |
| Master's Degree | 4.8% |
The interests and personal qualities O*NET associates with people who do this work.
| Cooperation | 8.0 | |
| Achievement Orientation | 7.0 | |
| Social Orientation | 6.0 | |
| Perseverance | 5.0 | |
| Adaptability | 4.0 | |
| Innovation | 3.0 |
| Artistic | 7.0 | |
| Social | 4.0 | |
| Enterprising | 3.8 | |
| Realistic | 3.6 |
| Performing Arts | 7.0 | |
| Music | 4.7 | |
| Applied Arts and Design | 4.7 | |
| Teaching/Education | 4.7 | |
| Visual Arts | 3.7 | |
| Athletics | 3.6 |
U.S. · annual wages (BLS OEWS)
| 10th percentile | $33,080 |
| 25th percentile | $39,600 |
| Median (50th) | $55,600 |
| 75th percentile | $71,190 |
| 90th percentile | $94,090 |
| People employed | 3,430 |
Where these workers are employed, by number of jobs (national, BLS OEWS). Pay shown is the occupation's national median, not industry-specific.
| Industry | Workers | National median pay |
|---|---|---|
| Educational Services · Sector | 1,860 | $50,970 |
| Arts, Entertainment, and Recreation · Sector | 1,440 | $61,680 |
| Theater Companies and Dinner Theaters · National industry | 190 | $58,500 |
| Fitness and Recreational Sports Centers · National industry | 70 | $48,470 |
Industries where this occupation is far more common than in the economy as a whole. The location quotient is how many times more concentrated it is here (a value of 5 means five times its economy-wide share).
| Industry | Concentration | Workers |
|---|---|---|
| Theater Companies and Dinner Theaters · National industry | 117.98× | 190 |
| Arts, Entertainment, and Recreation · Sector | 24.5× | 1,440 |
| Educational Services · Sector | 6.13× | 1,860 |
Part of the Arts, Entertainment, & Design career cluster.
Side-by-side comparisons place two occupations’ pay, preparation, skills, and AI exposure on the same page — same data, same scale, no forecast.
Options the data surfaces for Choreographers — not advice or a forecast. Each is a real cross-link you can follow into the evidence.
Capabilities this work builds that are used across many other occupations.
Occupations O*NET rates as related — the nearby moves on the map.
How people typically prepare for this work.
On the global GenAI exposure gradient this work sits around the 31st percentile of 427 international occupations.
Choreographers show 32nd-percentile AI task overlap — and about 700 annual U.S. openings
Choreographers show 32nd-percentile AI task overlap — and about 700 annual U.S. openings • Choreographers rank in the 32nd percentile (Low band) for AI task overlap across U.S. occupations — a measure of how much of the work today's AI can attempt, not how much is automated. (Eloundou et al. (GPTs are GPTs) + Felten AIOE) • The occupation is projected to see about 700 U.S. job openings per year (2024–34), counting growth and replacement — a labor-demand projection made independently of AI. (BLS Employment Projections 2024–34) • BLS projects employment to be about average (+6.1%) from 2024 to 2034. (BLS Employment Projections 2024–34) • Median annual pay is $55,600, across about 3,430 U.S. workers. (BLS OEWS (May 2024)) • Of the AI use actually observed for this work, 55% looks like augmentation (drafting, iterating, checking) rather than hands-off automation — from a Claude.ai usage sample, not a census. (2026-01-15-v4-plus-2025-03-27-v2) Source: Singulariki — "Choreographers". https://singulariki.com/roles/role-27-2032-00 Note: AI task overlap measures what today's AI can attempt, not automation, job loss, or a forecast.
AssetsShare imageMethodology & sourcesPress & newsroomThe newsroom
Every line is built only from figures this page already shows and cites. AI task overlap means what today's AI can attempt — not automation, job loss, or a forecast.
Every figure above traces to a named public dataset and the exact release below — not hand-written opinion. See the full methodology for what each measure does and does not mean.
Data compiled June 2, 2026. Figures are estimates, not advice.
Singulariki. "Choreographers." Singulariki: a source-backed encyclopedia of work. Built from O*NET 30.3; BLS Occupational Employment and Wage Statistics (OEWS) May 2024; BLS Employment Projections 2024–2034; Anthropic Economic Index v4 (2026-01-15) + v2 (2025-03-27); Microsoft “Working with AI” working-with-ai; “GPTs are GPTs” (Eloundou et al.) arXiv 2303.10130; AI Occupational Exposure (AIOE) Felten, Raj & Seamans; ILO / Gmyrek et al. GenAI exposure gradient 2025; IBS O*NET-SOC ↔ ISCO-08 occupation crosswalk 2022; Frey & Osborne (2013) frey-osborne-automation; Dingel & Neiman (2020) dingel-neiman-workathome. Accessed June 7, 2026. https://singulariki.com/roles/role-27-2032-00
Singulariki. (2026). Choreographers. Singulariki: a source-backed encyclopedia of work. Retrieved June 7, 2026, from https://singulariki.com/roles/role-27-2032-00
@misc{singulariki-role-27-2032-00,
title = {Choreographers},
author = {{Singulariki}},
year = {2026},
note = {O*NET 30.3; BLS Occupational Employment and Wage Statistics (OEWS) May 2024; BLS Employment Projections 2024–2034; Anthropic Economic Index v4 (2026-01-15) + v2 (2025-03-27); Microsoft “Working with AI” working-with-ai; “GPTs are GPTs” (Eloundou et al.) arXiv 2303.10130; AI Occupational Exposure (AIOE) Felten, Raj & Seamans; ILO / Gmyrek et al. GenAI exposure gradient 2025; IBS O*NET-SOC ↔ ISCO-08 occupation crosswalk 2022; Frey & Osborne (2013) frey-osborne-automation; Dingel & Neiman (2020) dingel-neiman-workathome. Accessed June 7, 2026},
url = {https://singulariki.com/roles/role-27-2032-00}
} Citations name the underlying public dataset releases — they reflect what this page is built from, not just the URL.